Environmental Grantmakers Association
Home About Us News Resources Funders NGOs Events Member Area
  Resources Home     EGA Newsletters     EGA Publications     Affinity Groups     Links     Find a Link     Add a Link  
WINTER 2003 NEWS & UPDATES
  Search  

 

 

1 Contents
2 Who Speaks for the Environment?
3 Over a Decade of Diversity Commitment at EGA
4 Green Jobs, Not Packed Jails
5 Notes from the Power Session - Eli Pariser
6 Theories of Change in Changing Times
7 Ottawa's Green Buildings
8 Fall Retreat 2004 Early Bird Update!
9 Zero Waste at the Fall Retreat
10 Leadership in Tough Times
11 Interview with Osa Iyayi
12 Rules Governing Volunteer Activities
13 Reflections on Leadership and Social Change
14 Florida Environmental Funders
15 The Wild Dolphin Project
16 High Performance School Buildings
17 Campaign Wins Big for Family Farms
  Funders Worked Together on Factory Farm Fight
18 Community Foundations
19 Caution on "Soft Eviction" Strategies Toward Indigenous Peoples
20 Tribes in Maine and Wisconsin Partner Up
21 Social Movement of Indigenous Peoples
22 Center for Ecoliteracy
  About the Fertile Crescent Network
23 Carbon Disclosure Project
24 Killer Sanitation
25 "Polluted Places" Nominations Sought
26 Book Reviews
27 NNG and GWOB Annual Conferences
28 Funding Environmental Awareness through the Arts
29 Calendar
  2004 EGA Management Board and EGA Staff

 

 

 

 

Funding Environmental Awareness through the Arts

Whether re-imagining public squares in Brooklyn, creating habitat restoration sculpture in Montana, or addressing watershed management in the Pacific Northwest, artists from varying perspectives and disciplines are making connections to issues that the environmental funding community cares about deeply. Settings for this work stretch from rural to suburban to urban, and the projects themselves take many forms. They may comment on environmental degradation, provide a moment of whimsy or reflection in an unexpected nook, or create a link to natural ecosystems that have become invisible to many people. Quite often, they do all three.

Most interesting is how artists use their creativity to awaken a largely unengaged public to the fragile environmental balance within which we live, and to reconnect the human species to the natural and frequently abused systems upon which a sustainable future depends. At the October 2003 Grantmakers in the Arts conference held in Seattle, Washington, funders and artists discussed the environmental values underlying their work and compared notes on the diverse issues addressed within some of the artists’ projects. A few examples included water management, sprawl, habitat restoration and sustainable consumption. (As if that weren’t exciting enough, several lucky participants witnessed an artist-designed stormwater retention system located in a city neighborhood during a record 5.5” rainfall. Worked like a charm.)

Interested funders will continue pursuit of this interdisciplinary action with a goal of leveraging the fruitful edges of the issue-based “ecosystems” within which we, as funders, operate. In the natural world, edges of ecosystems are rich, diverse treasure troves bursting with life and dynamism. We should begin viewing these edges not as barriers but as building blocks toward related funding goals.

Interested in learning more as the story develops? Contact Bethany Wall (bwall@mertzgilmore.org).

Bethany Wall is Program Officer at the Mertz Gilmore Foundation.

 


"Waterworks Gardens" by Lorna Jordan

back to top
Environmental Grantmakers Association Home | About Us | News | Resources | Funders | NGOs | Events | Member Area | Privacy Policy | Legal Notices

437 Madison Avenue, 37th Floor, New York, NY 10022 T 212 812-4260 F 212 821-4299 ega@ega.org